![]() 10:00 AM on Showcase Canada Select your lineup for TV local listings Private Eyes Catch Me If You Can Behind bars, Angie meets an intimidating inmate. An impressed Alfred Hitchcock, no less, sent Wilder a telegram that read “Since Double Indemnity, the two most important words in motion pictures are ‘Billy’ and ‘Wilder. Private Eyes Shadow of a Doubt A computer programmer hires Shade and Angie to recover a hard drive, which is locked in a secure lab. It was the walk of a dead man.” Hailed as an instant classic, Double Indemnity retains its awesome power and fascination over 70 years since its release. ![]() Miklos Rozsa’s insistent, foreboding soundtrack acts as a leitmotif for MacMurray’s descent into hell as the innovative first-person narrative tells us after the murder, “I couldn’t hear my own footsteps. There’s Murphy, short back and sides, lifting 1940s eye goggles blue and red atoms coming at him fast orange light white light blackout silence. Edward G Robinson is also memorable as MacMurray’s boss whose “little man” inside him tells him something’s not quite right about the case. Fred MacMurray is brilliantly cast against type in this landmark film as the cocky insurance salesman seduced by quintessential femme fatale Barbara Stanwyck (never better) into murdering her husband. From the James M Cain novel and featuring taut direction and a sparkling script from Wilder and Raymond Chandler, Double Indemnity set the standard for the genre for years to come.
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